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Nada Ammagui

Non-Resident Fellow, AGSI

Nada Ammagui is a non-resident fellow and former associate in arts, culture, and social trends at the Arab Gulf States Institute. Her interests include artistic and cultural spaces in Gulf countries, particularly the United Arab Emirates and Saudi Arabia, contemporary Arab art, and cultural diplomacy in the region. Previously a research associate at AGSI, Ammagui graduated from Georgetown University with an MA in Arab studies in 2023 and New York University Abu Dhabi with a BA in Arab crossroads studies and minors in art history and Arabic in 2020.

Before joining AGSI, Ammagui was a postgraduate research fellow in the arts and humanities at NYU Abu Dhabi conducting quantitative, geospatial research on the Sharjah Biennial (UAE). She has written articles on regional cultural matters for Global Art Daily and Fiker Institute and on digital humanities research on her own blog. Ammagui’s previous experience includes internships in the Islamic Art department at the Metropolitan Museum in New York and the Abu Dhabi Department of Culture and Tourism in the Education and Outreach department.

Analysis

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Conversations Across Time: Diriyah Contemporary Art Biennale 2026

The Diriyah Contemporary Art Biennale returned a third time with intergenerational dialogues that created a timeline of change, adaptation, and reflection in Saudi Arabia.

Nada Ammagui

9 min read

“In Interludes and Transitions,” Diriyah Contemporary Art Biennale 2026, installation view: left: Karan Shrestha, “sweet water rising,” “a flow disrupted; realigns,” “cloud babies”; right: Moshekwa Langa, “Collapsing Guide II.” (Photo by Alessandro Brasile, courtesy of the Diriyah Biennale Foundation)

And All That Is In Between: Centering Community at the Islamic Arts Biennale

Contemporary commissions at the Islamic Arts Biennale 2025 highlight young creatives from the region and beyond underscoring community, care, and spirituality.

Nada Ammagui

14 min read

“And All That is In Between,” Islamic Arts Biennale 2025, installation view: Louis Guillaume, “Lorsqu’on laissait encore passer le vent” (“When We Welcomed the Wind”). (Photo by Marco Cappelletti, courtesy of the Diriyah Biennale Foundation)

“Gentle Porosities:” Mashael Alsaie’s First Solo Show Urges a Tenderness Toward the Land

In Hunna Art’s new space, Bahraini multimedia artist Mashael Alsaie takes visitors on a journey through a metaphorical whirlpool, hoping to inspire a gentleness toward the environment.

Nada Ammagui

10 min read

The “Evaporated Elegies” series in the “Gentle Porosities” exhibition, October 2024. (Courtesy of Hunna Art)

Hand Into the Past: Omani Artist Kawthar Al Harthi’s Contemplative Creative Practice

Collagist and installation artist Kawthar Al Harthi uses mixed media to excavate material histories and personal memories.

Nada Ammagui

10 min read

“Palm Trees,” 2021. Courtesy of Kawthar Al Harthi

Between Collective Memory and Contemporary Media: AI in Daniah Alsaleh’s Creative Practice

Saudi artist Daniah Alsaleh uses artificial intelligence to probe historical archives and challenge the reliability of memory.

Nada Ammagui

8 min read

Installation view of “How Do I Remember Thee” (2020). (Courtesy of Daniah Alsaleh)

Urban Imaginaries and Lived Realities in “The Idealised City”

Italian artist Filippo Minelli challenges notions of authenticity in a globalized world, taking Dubai as his subject.

Nada Ammagui

9 min read

Events

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